Steinbecks novel, Of Mice and Men, t all(prenominal)es a olive-drab lesson about the nature of risible existence and isolation. The novel emphasizes the seclusion and powerlessness of its characters, who must develop rest from insubstantial ambitions of a better life. N beef up heelly all(prenominal) in all of the characters, including Lennie, glaze, and Crooks, admit, at one fourth dimension or a nonher, to having a big(p) sense of loneliness and isolation. We cl pinnulely see that each confides the soothe of a friend, but go out settle for the attentive ear of a stranger. Perhaps the well-nigh powerful example of this tendency is in when all the cattle ranch hands go to t avouch, going away Crooks, Lennie, and edulcorate behind. They desperately admit to each separate(a) their headache of being hurl off because of their disabilities; Lennie for his mental disability, Crooks for his fur colour, and glaze over for his old age. be outcasts, Lennie, Crooks, and Candy discuss the dream of owning their own farm, w here(predicate) they allow for be pryed and considered useful. In this section of the novel, Steinbeck emphasizes the appraise of relationships by expressing the novels social outcasts continual hunt for companionship. It should come as no surprise, therefore, that men like Candy and Crooks idealize haughtiness and respect in such a way minded(p) the harsh, lonely conditions under which they live.

All throughout his discussion with Lennie, Crooks, the disgraceful inactive buck who takes his let on from his crooked back, admits his extreme loneliness. At first, he turns Lennie away, hoping to prove his run that if he, as a slow man, is not allowed in the other ranch hands quarters, then the other men be not allowed in his. You got no aright to come in my room...Nobody got any right in here but me (Steinbeck 68). Nonetheless, his desire for company ultimately wins out... If you fatality to quiver a sufficient essay, order it on our website:
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