Monday, February 4, 2019
Drunken Santa :: essays papers
Drunken Santa Drunken Santa is a roleplay that creates a miracle of equilibrium. What seemed the like a clash of an opposite spectrums comments became the unlikely harmony in this painting. Jaisinis machinationistic vision here is formed from two components of physical and turned on(p) states of being. Freezing and heating serve as a symbol to a human need for warming up from the chill of solitude by means known to people at all times. The artist pursues his art philosophical quest for worldly knowledge that had left its traces in many another(prenominal) of his works. A line of composition literally ignites the paintings surface with the movement. The color of this work is phosphorescent, and it create the different planes if the subtle color nature. The warm color of empurple supports the blistery color of Santas figure and an exotic fish above Santa. This hot color may represent the so-called material universe, the world of the everlasting(a) senses that can be ob served in a sober state. The cold, caoutchouc blue color represents the unknown, the world of a deep state of deglutition where real is unreal and otherwise. The only hard reality is the self, which never changes in any state. And maybe that is why Jaisini favors the paintings main hero, Santa, to possess the vivacious color of fire. Jaisini chooses this color of fire to manifest the self and the cold cerulean, cobalt and ultramarine to renounce self as a mortal entity surrounded by the eternal unknown. While Santa drinks his feelings of frigid loneliness vanish. And so, he gets a come with of some almost hallucinatory nature. A shark, a ghostly image, a profile of another prototypical drunk who is not accidentally hardened in a horizontal position. An amalgam of the several female figures that consists of a woman in stockings, a nun, a big-breasted silhouette that create a shadow between. A heat can be sensed more or less the hot colored Santa who has lost his beard a nd is holding a blur of red wine. He shows his thumb that may be just a polite substitution for the middle finger sign. The colors of the work argon balanced by a virtuoso composition of a cubist character. The pictures space is divided endlessly. More images start to appear. The world of
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